Showing posts with label USA. Show all posts
Showing posts with label USA. Show all posts

Saturday, April 5, 2014

Flash Boys by Michael Lewis

Flash Boys: A Wall Street Revolt Michael Lewis has given us another great read, leaving us pondering big issues about the nature of man and the point of society. In today’s world, the information he shares about high-frequency trading (HFT) on Wall Street, feels dated before it arrives on the page…before we read it…before we can act on it. At first I was aghast that information about the, in effect, skimming or taxing of trades on the [any] stock market was old—this stuff was recognized in 2010! Why are we just learning about it?!

But of course now I realize that the folks that knew about it weren’t talking—why would they? And the market was going up, so taxes on increases wasn’t as onerous to investors as it would have been had they been losing their shirts. But also, Brad Katsuyama was setting up his own exchange, IEX, to do something to counter the activity. It would not have made as good a story to discover the problem without a solution being presented.

Katsuyama gathered a collection of folks no one could make up in their wildest dreams and sought ways to hamper the effects of high-frequency trades on investors. Lewis calls Katsuyama "an American hero" in his April 1 interview with Charlie Rose. Katsuyama was Canadian-born and came to Wall Street for the Royal Bank of Canada. He was successful as a trader, making about two million dollars a year in salary and bonuses, but noticed odd things happening to his trades about 2007. Lewis shares what happened to Katsuyama's thinking as he explored the reasons for the artifacts he was noticing on his screen as he traded.

This is an interesting story, but the most interesting part of the story is undoubtedly what comes next. Three days after the publication of Lewis’ book, Attorney General Holder announced the DOJ has an on-going investigation into high-frequency trading on stock exchanges. While the activities of high-frequency traders may or may not be strictly illegal, there is no doubt about its corrosive and costly effects.

Traders knowledgeable about the scandal acknowledge that something much like this skimming has been going on since the market began over a century ago, and will probably go on again in another form if this instance is regulated out of existence. Many of the traders introduced in this book are filled with awe at the perspicacity and persistence of HFT traders and wonder if the incentives were changed if the activities would modulate.

As it happens, this fishtails nicely into Jaron Lanier’s discussion about the internet in general, in Who Owns the Future? In that book Lanier suggests that modifying incentives (he gives possible ways to do that) would make a different landscape for those eager to participate in the economy. Financial remuneration is not the only incentive attractive to human beings. After all, how much can one person spend? On the other hand, the accumulation of vast sums of money in the hands of a few can cause major societal disruption. This is not simply a case of ill-gotten funds as in days of old. Computers have changed a lot of things, and the changes are exponential.

It’s a new world, and Lewis excavates a small corner to reveal talented folks beavering away at the underpinnings of our, and the world’s, financial pillars. This was one heck of a fascinating wake-up call.


You can buy this book here: Shop Indie Bookstores

Monday, November 18, 2013

The First Thanksgiving by Nathaniel Philbrick

The First ThanksgivingThanksgiving is just around the corner and I am delighted to be able to suggest something that will give you fascinating tidbits of U.S. history to talk about with your relatives over turkey. It is a short (!) but juicy monograph on the Pilgrim's first year that leaves you wanting to know more. Living in New England myself, I was astounded to hear about the cougars...I now hear they are back!

The historian Nathaniel Philbrick won the National Book Award in the year 2000 for his book In the Heart of the Sea: The Tragedy of the Whaleship Essex, and years later he won the 2007 Massachusetts Book Award for Nonfiction for Mayflower: A Story of Courage, Community, and War. Penguin has now issued a 50-page excerpt from that later book entitled The First Thanksgiving that narrows the larger story to the first year the Pilgrims stole corn stored by a tribe of Indians on Cape Cod before landing in December 1620 in Plymouth Bay. They chose a place to live, which happened to be the same location an earlier settlement had died of disease leaving human skulls above ground for those after them to find. Philbrick reminds us of the cougars once native to New England and the long history of attempted settlements and the skeptical Indian tribes, some of whom had English speakers who had travelled to Europe.

This remarkable short monograph describes a discreet period of time that will whet your appetite for more history. In his preface, Philbrick reminds us that the peace that graced the Pilgrims first years deteriorated into some of the bloodiest conflict in U.S. history in the time of those first Pilgrim's children. That fighting would be called King Philip's War.

This book is available only as an ebook and is for sale for a tiny fee in the usual places, e.g., Amazon, B&N. I think it would make a great Thanksgiving gift for history-minded hosts or hostesses with ereaders. I read a copy obtained through Netgalley.

By the way, Philbrick suggests that venison may have been the main meal on Thanksgiving, though migrating fowl and fish were probably also on the menu.

You can buy this book here: Shop Indie Bookstores

Friday, November 15, 2013

The Flamethrowers by Rachel Kushner

Hardcover, 383 pgs, Pub Apr 2nd 2013 by Scribner, ISBN13: 9781439142004, Lit Awards: James Tait Black Memorial Prize Nominee for Fiction (2013), Women's Prize for Fiction Nominee for Longlist (2014), Folio Prize Nominee (2014), National Book Award Finalist for Fiction (2013), International DUBLIN Literary Award Nominee (2015)

I had a second opportunity to review this title and my second attempt was published in the online journal Avatar Review. The link is here. Below was my first attempt after reading the novel in 2013.

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”The flamethrowers with their twin tanks, and their gas mask were Sandro’s favorite of the assault company dolls. The asbestos sweater and balloon pants and gauntlet gloves you could outfit them with so they could not carbonize when they set a woods on fire. A woods or bunker or enemy machine gun nest, depending. A supply line of trucks or a laddered stack of bodies, depending.

The flamethrowers could have been from a different century, both brutal and ancient and at the same time horribly modern. The flame oil in the twin tanks they carried was five parts tar oil and one part crude, and they had a little canister of carbon dioxide and an automatic igniter and a belt pouch with spare igniters. The flamethrower was never, ever defensive. He was pure offense…a harbinger of death…

But then his father told him the flamethrowers were…cumbersome and heavy and slow-moving targets and if they were ever caught they were shown no mercy. That’s not a thing you want to be, his father said…”

This astonishing meditation on art, rebellion, wealth creation, love, truth, and friendship kept me rapt throughout, but I am not going to lie to you. This is a big work, with lots of moving pieces, and it takes more time to process than others might. I’m not sure I got it all. If art is meant to inspire, to challenge, or to change the viewer, this work succeeded on all counts.
“Difficult to even talk about…I feel changed. Like, say my mind is a sweater. And a loose thread gets tugged at, pulled and pulled until the sweater unravels and there’s only a big fluffy pile of yarn. You can make something with it, that pile of yarn, but it will never be a sweater again. That’s the state of things.”

It is the late ‘70s. Reno is a young drifter with pretensions to art. She lands in New York and hangs at the edges of a group whose composition changes with the inclinations of Sandro and Ronnie. Sandro, Ronnie, and Gianni, the men Reno spends her time with and learns from, are central but elusive figures in this drama. Sandro’s father, the man who teaches Sandro about how life really works, is also a central but elusive figure.

Reno is, literally and figuratively, a printer’s reference, a human Caucasian face against which film color corrections could be matched to a referent. Subliminally viewed, if at all, her face might sometimes leave an afterimage. Only filmmakers and projectionists knew of her existence. “Their ordinariness was part of their appeal: real but unreachable women who left no sense of who they were. No clue but a Kodak color bar, which was no clue at all.”

When we first see her, Reno is riding a fast motorcycle in the desert and later photographs her tracks. Sandro elevates her work by calling this a type of ‘land art.’ She wipes out, smashing the motorcycle, but her efforts lead to a larger success in setting a land speed record—more sport than art. She travels to Italy to promote the bike she rode in the Southwest desert.

I have seen references to this as a “feminist” novel. It would not have occurred to me to say that, though there is some movement of a young, untried woman towards a greater understanding of her place in the world who then begins to take charge of her freedom. She also has a glimpse, towards the end of the story, of the men in her life not merely as simple stock images or disposable short outtakes of a larger film. “Cropping can make outcomes so ambiguous…” These are men with all the feelings and dreams, histories and futures of men and she is growing up.

Reno as a character is particularly attractive in that she is able, in the course of this novel, to go off without a lover, rent an apartment on her own, and ride a motorcycle about New York City. This may be the dream of any young person anywhere: it is not feminism, but life. But what held me were the ideas about art, about looking, about believing, about making the effort.

Reno’s friend Giddle believed herself to be a performance artist of sorts, but somewhere along the way she lost the thread, the point. Sandro made empty boxes. Ronnie photographed beat-up women. Reno made short films of street life. The art created by these folk, and the folk themselves when we first meet them, are stock images, referents for life. But by the end we have had growth and all are in the process of becoming.

Sandro’s father has a critical role in this novel. The backdrop of his powerful and moneyed world of making tires for racing vehicles represents the old guard against which the artists and Italian Red Brigade demonstrators were rebelling. Yet he was a rebel in his time. The father taught Sandro important truths about the world: that there is evil and greed; that power matters; that guns don’t always fire as advertised; that Flamethrowers can be clumsy targets rather than objects of envy. Flamethrowers’ fire often ran back up the hose and consumed the perpetrator.

Kushner held me spellbound with her descriptions of New York’s art scene in the ‘70s. Using Patti Smith’s National Book Award-winning Just Kids as a referent, we get a similar feeling of a young, edgy, trial-by-error art scene. I can’t help but wonder how closely she captured the riots in Italy in the same period.

Something happens in this masterwork that is all internal. It left me looking about myself, contemplative, silent. The poet Marianne Moore wrote that “the deepest feeling always shows itself in silence.” I reread most of it to see if I could untangle it in my mind. I got bits and pieces straightened, but ended up with more questions. But to me this is a sweet confusion. We don’t often have the opportunity to enjoy works of this quality.

A lot of this book is concerned with film. I can imagine this book as a film done in the European tradition—lots of long, slow panning shots and minimal dialogue—following the storyline, such as it is. Would be as confusing and absorbing as the book, I imagine. Kudos to Kushner.


You can buy this book here: Shop Indie Bookstores

Tuesday, May 28, 2013

Bunker Hill by Nathaniel Philbrick

Bunker Hill: A City, a Siege, a Revolution
"...both sides began a desperate rush for gunpowder."

Philbrick knows how to inhabit and interpret a battle scene. From earlier books like The Last Stand and now with Bunker Hill, Philbrick allows us to imagine in detail the layout, action, and tension in a battlefield exploding with ordnance. Because we now know more about the personalities of those men involved in the battle, have letters from survivors and rooftop observers, and battle reports of the period, we can interpret to some extent how the battle for Bunker Hill must have developed and played out. It was grim. It was bloody. The provincials had very little gunpowder but buckets of bravado.

The British took Bunker Hill that day, but the loss did nothing more than whet the appetite of the provincials for the freedom they craved. Paradoxically, it crushed the spirit of the British generals and spurred the leadership and fighting men of the colonies to an even greater resolve to isolate and eventually push the British out of Boston.

This latest addition to Philbrick’s oeuvre gives us much more than news about a single battle. We get a glimpse of greater Boston in a conscribed period of time beginning 1775 and ending 1776. We learn details about the land, the weather, the ethos, the men and women living in Boston which aid in understanding the constraints and choices facing our earliest countrymen. We learn of Lexington and Concord and the heartbreaking admission by a provincial soldier found to have hacked a British regular to death with an axe: “he simply did what he thought was expected of a soldier in the midst of battle.”

A fascinating new series of maps created for the book and dated 2013 by Jeffrey L. Ward are a revelation. Boston of today bears almost no resemblance to the Boston of 1775-76 when Boston city itself was practically an island reachable only by water or by a very narrow neck of land reaching into Roxbury. Ward’s maps follow the scenes of Philbrick’s history closely and add immeasurably to our grasp of the action.

Another thing that stands out is how little fighting actually took place before the colonies declared independence in the summer of 1776. Hostilities continued afterwards, but “the Battle of Bunker Hill…[proved] to be the bloodiest engagement of the eight years of fighting that followed.” The provincials lost the Battle of Bunker Hill and sustained heavy casualties, but they appeared to come away from that time with a sense of their own power, and with determination.

Best of all may be the portraits drawn of James Warren, kinetic man-about-town, physician, politician, and leader who rose from his sickbed to participate (and die) in the Battle of Bunker Hill, and George Washington, gentleman general, who came up to Boston afterward to lay out the Siege of Boston. Washington succeeded in pushing the British from Boston with almost no conflict. He had prepared so well in surrounding the city, he was actually disappointed he did not need to put his plan into action.
”Two days after the evacuation, the British saw fit to destroy the fortifications at the Castle with a spectacular series of explosions. The resulting fire raged throughout the night with such an intensity that a lieutenant from Connecticut discovered that even though he was several miles away he was able to read a letter from his wife by the light of the burning fortress. The fate of the Castle served as a fresh reminder of the devastation that had been avoided through the occupation of Dorchester Heights. Washington, however, continued ‘lamenting the disappointment’ of not having been able to implement what he described in a letter to a friend in Virginia as his ‘premeditated plan’ to attack Boston, ‘as we were prepared for them at all points.’”

Philbrick is at his most eloquent in his chapter entitled “The Fiercest Man,” in which he describes George Washington. One of my deepest impressions from this book comes from this chapter, where Washington is rendered human. He was a large man, physically gifted and well-proportioned, who looked well on a horse: “There is not a king in Europe that would not look like a valet de chamber by his side.” He appeared to listen and accommodate another point of view from his own while managing, in the end, to carry his own.

When Washington learned that the provincials were essentially without gunpowder, he was struck silent. “Could I have forseen what I have, and am about to experience, no consideration upon earth should have induced me to accept this command,” he later mused.

The book has 32 color plates, including Charles Willson Peale’s standing portrait of Washington with his hand on a gun barrel, and 30 black and white reproductions that allow us to put faces to names. This is a delectable, detailed history, adding to our store of knowledge, and a modern one: there is some discussion of attractive women, married or not, whom Warren and Washington were allegedly interested in. I assert, whether or not we think these details realistic, true, or relevant, they make these men more accessible to us, and we begin to wish we had more remaining clues about the lives of all these forbears so as to refute or confirm these theories.

Addendum: Philbrick tells us the painter Gilbert Stuart wrote that he suspected George Washington of harboring the “strongest and most ungovernable passions.” When I described this, from the chapter “The Fiercest Man,” to a 90-year-old Boston native, she acerbically rejoined, “One can see his passion, him in those pants," referring to her memory of Stuart’s full length standing portrait of Washington now hanging in the Museum of Fine Arts in Boston. One wonders if that portrait tells us more about Gilbert than about Washington.

Experience Philbrick's history yourself. I am delighted to be able to excerpt Philbrick's Preface from Bunker Hill below for your convenience:

Reprinted by arrangement with Viking, a member of Penguin Group (USA) Inc., from Bunker Hill Copyright © Nathaniel Philbrick, 2013

PREFACE: THE DECISIVE DAY

On a hot, almost windless afternoon in June, a seven-year-old boy stood beside his mother and looked out across the green islands of Boston Harbor. To the northwest, sheets of fire and smoke rose from the base of a distant hill. Even though the fighting was at least ten miles away, the concussion of the great guns burst like bubbles across his tear-streaked face.

At that moment, John Adams, the boy’s father, was more than three hundred miles to the south at the Continental Congress in Philadelphia. Years later, the elder Adams claimed that the American Revolution had started not with the Boston Massacre, or the Tea Party, or the skirmishes at Lexington and Concord and all the rest, but had been “effected before the war commenced . . . in the minds and hearts of the people.” For his son, however, the “decisive day” (a phrase used by the boy’s mother, Abigail) was June 17, 1775.

Seventy-one years after that day, in the jittery script of an old man, John Quincy Adams described the terrifying afternoon when he and his mother watched the battle from a hill beside their home in Braintree: “I saw with my own eyes those fires, and heard Britannia’s thunders in the Battle of Bunker’s hill and witnessed the tears of my mother and mingled with them my own.” They feared, he recounted, that the British troops might at any moment march out of Boston and “butcher them in cold blood” or take them as hostages and drag them back into the besieged city. But what he remembered most about the battle was the hopeless sense of sorrow that he and his mother felt when they learned that their family physician, Dr. Joseph Warren, had been killed.

Warren had saved John Quincy Adam’s badly fractured forefinger from amputation, and the death of this “beloved physician” was a terrible blow to a boy whose father’s mounting responsibilities required that he spend months away from home. Even after John Quincy Adams had grown into adulthood and become a public figure, he refused to attend all anniversary celebrations of the Battle of Bunker Hill.

Joseph Warren, just thirty-four at the time of his death, had been much more than a beloved doctor to a seven-year-old boy. Over the course of the two critical months between the outbreak of hostilities at Lexington Green and the Battle of Bunker Hill, he became the most influential patriot leader in the province of Massachusetts. As a member of the Committee of Safety, he had been the man who ordered Paul Revere to alert the countryside that British soldiers were headed to Concord; as president of the Provincial Congress, he had overseen the creation of an army even as he waged a propaganda campaign to convince both the American and British people that Massachusetts was fighting for its survival in a purely defensive war. While his more famous compatriots John Adams, John Hancock, and Samuel Adams were in Philadelphia at the Second Continental Congress, Warren was orchestrating the on-the-ground reality of a revolution.

Warren had only recently emerged from the shadow of his mentor Samuel Adams when he found himself at the head of the revolutionary movement in Massachusetts, but his presence (and absence) were immediately felt. When George Washington assumed command of the provincial army gathered outside Boston just two and a half weeks after the Battle of Bunker Hill, he was forced to contend with the confusion and despair that followed Warren’s death. Washington’s ability to gain the confidence of a suspicious, stubborn, and parochial assemblage of New England militiamen marked the advent of a very different kind of leadership. Warren had passionately, often impulsively, tried to control the accelerating cataclysm. Washington would need to master the situation deliberately and—above all—firmly. Thus, the Battle of Bunker Hill is the critical turning point in the story of how a rebellion born in the streets of Boston became a countrywide war for independence.

This is also the story of two British generals. The first, Thomas Gage, was saddled with the impossible task of implementing his government’s unnecessarily punitive response to the Boston Tea Party in December 1773. Gage had a scrupulous respect for the law and was therefore ill equipped to subdue a people who were perfectly willing to take that law into their own hands. When fighting broke out at Lexington and Concord, militiamen from across the region descended upon the British stationed at Boston. Armed New Englanders soon cut off the land approaches to Boston. Ironically, the former center of American resistance found itself gripped by an American siege. By the time General William Howe replaced Gage as the British commander in chief, he had determined that New York, not Boston, was where he must resume the fight. It was left to Washington to hasten the departure of Howe and his army.

The evacuation of the British in March 1776 signaled the beginning of an eight-year war that produced a new nation. But it also marked the end of an era that had started back in 1630 with the founding of the Puritan settlement called Boston. This is the story of how a revolution changed that 146-year-old community—of what was lost and what was gained when 150 vessels filled with British soldiers and American loyalists sailed from Boston Harbor for the last time.

Over the more than two centuries since the Revolution, Boston has undergone immense physical change. Most of the city’s once-defining hills have been erased from the landscape while the marshes and mudflats that surrounded Boston have been filled in to eliminate almost all traces of the original waterfront. But hints of the vanished town remain. Several meetinghouses and churches from the colonial era are still standing, along with a smattering of seventeenth- and eighteenth-century houses. Looking southeast from the balcony of the Old State House, you can see how the spine of what was once called King Street connects this historic seat of government, originally known as the Town House, to Long Wharf, an equally historic commercial center that still reaches out into the harbor.

For the last three years I have been exploring these places, trying to get a fix on the long-lost topography that is essential to understanding how Boston’s former residents interacted. Boston in the 1770s was a land-connected island with a population of about fifteen thousand, all of whom probably recognized, if not knew, each other. Being myself a resident of an island with a year-round population very close in size to provincial Boston’s, I have some familiarity with how petty feuds, family alliances, professional jealousies, and bonds of friendship can transform a local controversy into a supercharged outpouring of communal angst. The issues are real enough, but why we find ourselves on one side or the other of those issues is often unclear even to us. Things just happen in a way that has little to do with logic or rationality and everything to do with the mysterious and infinitely complex ways that human beings respond to one another.
In the beginning there were three different colonial groups in Massachusetts. One group was aligned with those who eventually became revolutionaries. For lack of a better word, I will call these people “patriots.” Another group remained faithful to the crown, and they appear herein as “loyalists.” Those in the third and perhaps largest group were not sure where they stood. Part of what makes a revolution such a fascinating subject to study is the arrival of the moment when neutrality is no longer an option. Like it or not, a person has to choose.

It was not a simple case of picking right from wrong. Hindsight has shown that, contrary to what the patriots insisted, Britain had not launched a preconceived effort to enslave her colonies. Compared with other outposts of empire, the American colonists were exceedingly well off. It’s been estimated that they were some of the most prosperous, least-taxed people in the Western world. And yet there was more to the patriots’ overheated claims about oppression than the eighteenth-century equivalent of a conspiracy theory. The hyperbole and hysteria that so mystified the loyalists had wellsprings that were both ancient and strikingly immediate. For patriots and loyalists alike, this was personal.

Because a revolution gave birth to our nation, Americans have a tendency to exalt the concept of a popular uprising. We want the whole world to be caught in a blaze of liberating upheaval (with appropriately democratic results) because that was what worked so well for us. If Gene Sharp’s From Dictatorship to Democracy, the guidebook that has become a kind of bible among twentyfirst-century revolutionaries in the Middle East and beyond, is any indication, the mechanics of overthrowing a regime are essentially the same today as they were in the eighteenth century. And yet, given our tendency to focus on the Founding Fathers who were at the Continental Congress in Philadelphia when all of this was unfolding in and around Boston, most of us know surprisingly little about how the patriots of Massachusetts pulled it off.

In the pages that follow, I hope to provide an intimate account of how over the course of just eighteen months a revolution transformed a city and the towns that surrounded it, and how that transformation influenced what eventually became the Unites States of America. This is the story of two charismatic and forceful leaders (one from Massachusetts, the other from Virginia), but it is also the story of two ministers (one a subtle, even Machiavellian, patriot, the other a punster and a loyalist); of a poet, patriot, and caregiver to four orphaned children; of a wealthy merchant who wanted to be everybody’s friend; of a conniving traitor whose girlfriend betrayed him; of a sea captain from Marblehead who became America’s first naval hero; of a bookseller with a permanently mangled hand who after a 300-mile trek through the wilderness helped to force the evacuation of the British; and of many others.

In the end, the city of Boston is the true hero of this story. Whether its inhabitants came to view the Revolution as an opportunity or as a catastrophe, they all found themselves in the midst of a survival tale when on December 16, 1773, three shiploads of tea were dumped in Boston Harbor.

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Monday, July 18, 2011

Little Children by Tom Perrotta

Little Children









Perrotta has written a caustically funny satire of thirty-something suburban American life that we laugh at even as we see ourselves and our faults unerringly displayed. The film of contentedness over suburban Bellington is disturbed when a child molester moves back in with his mother. Even Perrotta's crack opening salvo--descriptions of the mothers at the playground discussing their children, other mothers’ children, their husbands, their sexual habits (or not)--helps us to realize that this is one author who listens and can make a joke of even the most painful circumstance. No matter how bad or boring things get, he’ll be able to see what is funny in it.

Perrotta takes a stab at the politically correct, skewering the liberal left (for believing the child molester was probably innocent because he wasn’t convicted of murder), and the righteous right (for believing the child molester was guilty before he was convicted of murder). The problems and insecurities and small-mindedness and flat-out lying that all the characters exhibit tell us so much more about what we think we can get away with and never can…but such outrageous and egregious faults! Perrotta must have sat around thinking of what would be the worst of all the faults one could encounter in a spouse: faithlessness, online porn and used-panty fantasist, child molester, alcoholic, serial failure…when the child molester wishes he were an alcoholic instead, one just knows there is no way to escape unscathed.

But we have seen these characters, or parts of them, in the people around us. They are familiar, but not as funny as in this book. Here people are so flagrant and so flawed and so “other” that we can laugh and claim they are not us. But when our handsome no-pads neighborhood football QB and unfaithful spouse, Todd, says to his working wife, “Sarah? Sarah who?” we cringe for him, for his wife, for the children, for ourselves because he/we are fooling ourselves that we can get away with something when the game is already up. Someone has caught us out, seen us for who and what we are. But somehow, Perrotta still allows us to laugh, despite the sordid tragedy of it all.

At the encouragement of a Goodreads friend, I picked up Little Children in advance of the July 28, 2011 fundraiser for the Boston Literary Festival scheduled for October 15, 2011. Tom Perrotta is scheduled to answer questions posed by comedian Steven Brykman. Readers, let me know if you want to meet up with a dedicated group of readers from Goodreads and BOTNS Boston to attend this function.





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Monday, July 11, 2011

The Reservoir by John Milliken Thompson

The Reservoir










This debut novel and mystery is drawn from a true story that was the sensation of 1885 in Richmond, Virginia. A young, unmarried, pregnant woman is drowned in the city reservoir, presumably by her paramour: a young lawyer on his way up who also happens to be her cousin. Newspaper records of the time whipped up a frenzied appreciation of the scandal among townspeople, who flocked to attend the trial. The accused was gifted in many ways…he could write well and spoke with conviction; he kept his head under crushing pressures; he was not unpleasant to look upon, and dressed soberly but well. He cut a fine figure of a man and was an ideal defendant in many ways. This novel is what might have been the backstory to the trial, richly imagined by a man 125 years later. Court documents and evidence of the trial are still available: letters, photographs, a watch key.

Just as townspeople were riveted a century ago, we read the story of this ill-begotten romance, not knowing if the defendant should be accused of murder. The length of the trial and the sensationalism of the evidence kept it in the news for some time, and the author does a good job of revealing outcomes slowly, just as would have been done at the time. We are as unsure what burdened the hearts of the victim and her cousin. Some readers have pointed out that the courts have changed so much that it doesn’t seem possible we are talking about the same legal system. While I cannot speak to this, I can say that the death penalty was still in vogue, and I could hardly wait to hear what the defendant would reveal in his own defense…and sucked in my breath when yet another piece of crucial evidence succumbed to flames by well-meaning relatives. It was hard to remember this is fiction, until we realize once again that it was not.

So what was fiction and what was fact? A reader will be able to discern the outlines of the case easily and can spend hours ruminating over what was known, by whom, and when. It is a story that stays with one, and is a cautionary tale as well. What comes across loud and clear is that the family of the defendant was also victim to the crime, for it was badly torn by the allegations. I can’t help but think this would make a marvelous film. All the material could be portrayed through edited scenes and pictures and would be a great vehicle for actors able to confuse us viewers as jurors. The ending is unknowable until the very end. Kudos go to the author, John Milliken Thompson, for recognizing a story when he saw it.




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Monday, May 31, 2010

The Bridge by David Remnick

Hardcover, 672 pgs, Pub April 6th 2010 by Knopf (first published 2010), ISBN13: 9781400043606, Lit Awards: Samuel Johnson Prize for Non-Fiction Nominee for Longlist (2011), Goodreads Choice Award Nominee for History and Biography (2010)

This dense and detailed look at a moment in history when Barack Obama began his run for the White House gives the reader the sense of a blind man running his hands over an elephant, or of Galileo gazing at the stars. The detail just makes one jealous to know those things we are not reading about--what was he thinking, not just what he was saying. One wants the man himself, not just the story of him.

In the end, every book about this period is bound to be a disappointment in itself. It cannot capture the utter impossibility of the moment--the day by day disbelief of hearing Obama is still in the race and gaining, rather than losing, adherents. Of Obama facing challenges (Reverend Wright) greater than those that had brought down more conventional candidates (Kerry's Swift boat controversy), and emerging even larger than before. It does not tell us, finally, how this happened, though it attempts to explain fragments of the whole.

But among books of the period, this will rank among the best. Remick's calm amidst the forest of details and clear, thoughtful delivery make him a companionable guide. He is not so casual as to make one doubt his sources, but he does not flaunt his access. This must be one of the most readable tomes on a time when America suprised everyone--even Americans.