Oh, I dearly loved this book about an event which spawned a series of follow-on events, some of which could be termed momentous, in the context of a life. The story was funny and true and ridiculous and painful and all those things that life can be. It was comforting to hear about folks whose lives had hit a major speed bump but who managed, by shuffling the deck, to usher in a new chapter in their lives, one that they liked even better. But it is lightly told, and not so painful for us, safely behind our reading glasses, sipping tea and considering just how awful divorce could be…for the characters of course.
I was also struck by parallels between the theme in this book by Lively and Kate Atkinson’s new offering Life After Life . It is almost as though the grande Dames of British Literature were given a writing assignment to mull over the possibility that Hitler had never been born or had died in early life, before the tragedy of World War II. The assignment might have specified that they didn’t have to focus on the 1940’s, they just had to mention Hitler and make their story relevant to a new reality. Consider Lively’s contribution, that she places in the mouth of Henry, retired University professor and a man sure of his talent to make history interesting and relevant:
I myself have a soft spot for what is known as the Cleopatra’s nose theory of history—the proposal that had the nose of Cleopatra been an inch longer the fortunes of Rome would have been different. A reductio ad absurdam, perhaps, but a reference to random causality that makes a lot of sense when we think about the erratic sequence of events that we call history. And we find that we home in on the catalysts—the intervention of those seminal figures who will direct events. Caesar himself. Charlemagne. Napoleon. Hitler. If this man or that—no, this person or that—had not existed, how differently could things have turned out? Focus upon a smaller canvas—England in the eighteenth century, of, indeed, any other century—and we find again that it is personalities that direct events, the human hand that steers the course of time…A decision is made in one place, and far away a thousand will die.”Then, consider Kate Atkinson’s contemplation of this question, whom she gives to Ursula, her protagonist :
“Don’t you wonder sometimes, “ Ursula said. “If just one small thing had been changed, in the past, I mean. If Hitler had died at birth, or if someone had kidnapped him as a baby and brought him up in—I don’t know, say a Quaker household—surely things would be different.”And it is a great theme to be going along with: eliminating those pesky outsized actors from our history. After all, isn’t life complicated enough with just our own mistakes to manage?
In any case, the thing that really caught my attention in this book, and that I loved above even the story (something which Lively spends some time considering—how a story can draw us in) is the discussion an older woman, a retired teacher of literature as it happens, has with a younger economic migrant to whom she is teaching the fundamentals of reading. They speak of language, words, and the passion the younger man has for stories. He’d had trouble learning English, both spoken and written, but he was passionate about stories. So she teaches him, rather than the language of commerce, the language of poetry. She gave him stories, and his passion for stories developed into a passion for words, which he collected assiduously and used ardently. He loved, and was loved though words. It was delightful.
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