Intimate Apparel: A Play by Lynn Nottage

Paperback, 72 pgs, Pub Jan 1 2005 by Dramatists Play Service, Inc., ISBN13: 9780822220091. Awards: Outer Critics Circle Awards (2004) & John Gassner Award – Lynn Nottage, Drama Desk Awards (2004) - Viola Davis, Lucille Lortel Awards (2005) - Derek McLane & Catherine Zuber, Obie Award (2003–04) - Viola Davis & Derek McLane

In the past several weeks I have reviewed two Pulitzer Prize-winning plays by Lynn Nottage, Sweat and Ruined. Both were brilliant works, simple in concept and staging, complex in emotional resonance and in social commentary. The prizes awarded for those later plays included the promise of her earlier plays, like this one, which first came to the stage when Nottage was thirty-nine.

It is 1905. An exceptionally-talented unmarried black seamstress, Esther, sews lingerie for wealthy white women and the black prostitutes they envy…envy for their bodies, their freedom, and the fact that the black women are getting nooky while the white wives are not. Esther is not especially pretty but hopes one day to marry. She carries on a long-distance romantic relationship by mail with a man she has never met. Eventually the brawny workman from Barbados who is digging the Panama Canal comes to New York.

The play is visually exciting: there is much color and sensuality in the fabrics Esther chooses for her craft, all bought from an orthodox Jewish salesman named Marks who has a weakness for a good story. He is also unmarried, and like Esther, is engaged to a person he has never met. Esther and Marks are attracted to one another through their mutual love of fabric, but could never consider an alliance, given that she is black and he is Jewish.

Special moments of emotional truth come when Esther describes her epistolary relationship with the man from Barbados to her best friend, Mayme, a beautiful woman wearing herself out working the Tenderloin district for uncaring brutes. Mayme teases Esther mercilessly for her naiveté when it comes to men, but suddenly “acknowledges Esther’s hurt” at her sharp dismissal and takes Esther’s face between her hands. Moments of tenderness like these punctuate the work; everyone who knows Esther wants to protect her from hurt.

The play showcases black female friendship, and the close sense of community that forms around people of talent who earn little yet depend upon one another to hold one another up. We also see the souring of a marital relationship when the husband is dependent, and the exploitative and ultimately dismissive relationship between a black wage earner and her white mistress who doesn't see the power disparity in their relationship. The interactions between characters so familiar in our society, are nonetheless treated with great sensitivity, subtlety, and particularity.

The play takes only a couple hours to read and yet offers lots of story and visual and aural excitement. Mayme, it turns out, is a talented pianist who ends up turning tricks and playing ragtime to a syncopated beat.

Imagine Viola Davis in the role of Esther, which she did off-Broadway in 2004 at the Roundabout Theatre Company in New York City, and for which she won several awards and was nominated for several more.

As it turns out, the story has the ring of personal history: Lynn Nottage's own grandmother was a seamstress in New York and her grandfather was Barbadian who worked on the Panama Canal. The play is a reimagining of history, since few details are known.



Below please find a clip from teh Montreal production:


The fascinating YouTube video below features people associated with the play’s production and runs about fifteen minutes.




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Patterns in Nature: Why the Natural World Looks the Way it Does by Philip Ball

This is a gorgeous-looking book. Since this topic has been one I have been promising myself to examine for some time, I picked up this striking volume from a face-out display in my public library which has, I was surprised to learn later, a large collection of Philip Ball's books, but not yet his latest, called The Water Kingdom, about China and its relationship with water. It sounds fascinating.

This book about patterns found in nature has very little discussion within. One must make do with the magnificent photography that includes some of the very best pictures I have seen of a certain weather phenomenon, say, or a geologic feature. Many of the microscopic subjects (viruses, insect eyes, closeups of sea creatures) are artificially colored so that the features stand in stark contrast. It is definitely coffee-table quality.

For creatives and artists, this work is positively inspirational. Scientists may use it to demonstrate some observable phenomenon, but although the photos are labelled, the text sometimes proved insufficient to adequately explain the complicated reasons for why such patterns appear. Some of the less complex subjects and accompanying text were sufficient to pique further investigation elsewhere.

Something I may have encountered before but do not recall ever seeing in quite the same way were pictures of Chladni figures, or fine grains on a flat surface subjected to sound waves. The grains formed intricate patterns. The figure I use an example here is not from Ball's book. His was so glamorous it sent me spinning to find more information.

The other single coolest thing I have ever seen was a photo of Fingal's Cave on the Isle of Staffa in Scotland. Again, this is not the photo that Ball included in his book, but hopefully will give you some idea why it was so thrilling to me. Cracks have formed six-sided posts of basalt.


Something similar can be found at a place in California called Devil's Postpile: columnar cracks in the side of a hill. Unbelievably cool.



There is much, much more in this book. While I did not find answers to all my questions, the book contains gorgeous examples of patterns you will wish to research further, having seen them in such brilliant detail.

Hardcover, 288 pages Published April 5th 2016 by University Of Chicago Press ISBN 022633242X (ISBN13: 9780226332420)



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Some Holiday Titles from Penguin Random House

The weather recently turned icy here in New England, with a few areas reporting snow flurries. The heat is on and our sweaters are out; naturally our thoughts turn to the holidays and Christmas as the last leaves fall. Penguin Random House, the world’s most global trade book publisher, wants to share with readers a couple of the books they have chosen to spice up the season. My next couple of posts will discuss a few of these titles, so stay tuned.

Johanna Basford, the biggest name in adult coloring books, has a spectacular new coloring book for adults called Lost Ocean: An Inky Adventure & Coloring Book that brings to mind all manner of meditation mandelas, craft projects, color theories, visual recognition games, to say nothing of the wonders of the underwater world. The pictures are dense and detailed, far too complex for a child to manage, but perhaps just perfect for a teen or adult, perhaps even a much older adult, who wishes to try out a color palette, or concentrate on something unrelated to daily life.

Apparently the adult coloring book market is large and growing world-wide phenomenon (who knew?), and Penguin provides a kit for groups of adults to work together on projects—a “community coloring club” is what they call these gatherings. They have also announced the release of a Coloring Club Kit which includes:

• Recipes for refreshments.
• Playlist. Johanna Basford tells us she likes to draw to music by bands like The xx, and Florence and the Machine, “anything with too strong a beat interrupts the flow of the coloring.” We’ve compiled a special playlist to help unleash your creativity.
• Ice Breakers to get your coloring club members chatting.
• A special Q&A with the undisputed Queen of coloring books, Johanna Basford.

Below find a couple more sample pages, which will give you some idea of the intricacy of the designs. The prints are on heavy paper, so one could use watercolors, though pens or pencils might prove easier and more effective. Truthfully, I was thinking these might be a good solution for adult community centers, but I can imagine a craftsperson finding the designs intriguing for color design. If any readers out there know of a way to use this kind of book effectively, please leave a comment below. I'd love to know how others would use this book.

My sister is a docent at a seaside State Park that carries items like this in their museum store. Looks like a good seashore gift item generally, or a purchase a seaside Bed & Breakfast might find attractive. Keep your eyes peeled for this title in a bookstore or shop near you this season. On sale October 27, 2015, it can also be ordered directly from the Penguin Random House website.

Johanna Basford is the creator of the multi-million copy bestsellers Secret Garden and Enchanted Forest. In the Coloring Kit link provided above, Johanna answers questions about how she got her start in coloring books, how unsure she was how they would be received, and how surprised she was at the reaction of the public. Check it out. You may be surprised at your own reaction to her art.


Below I am posting a giveaway of this title until October 27, 2015, when the book is for sale in bookstores. I will use random.org to choose a winner and will contact the winner for an address. The book will be sent to the winner directly from Penguin Random House. U.S. residents only, please.

A Winner has been chosen! Thanks everyone.


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Plain and Simple: A Woman's Journey to the Amish by Sue Bender

This book was given to me as a gift with the proviso that I return it to the giver when finished. I read it quickly and then read it again slowly, over a period of months. It has a simple, clear style: the short paragraphs remind one of a literally simple but intellectually dense Buddhist discussion on wakefulness and being. Author Bender makes a journey that many of us might make in a lifetime: from a cluttered, busy, “what am I missing?” lifestyle to one that is far less dense. “You are missing nothing important,” a Buddhist might say.

One day many years ago, Bender the artist saw some old Amish quilts used to showcase men’s tweed clothing in an artful display in a boutique on Long Island. She went back several times to view the quilts, and realized that there was something understated and truly unique in the style:

”Odd color combinations. Deep saturated solid colors: purple, mauve, green, brown, magenta, electric blue, red. Simple geometric forms: squares, diamonds, rectangles. A patina of use emanated from them…

The basic forms were tempered by tiny, intricate black quilting stitches. The patterns—tulips, feathers, wreaths, pineapples, and stars—softened and complemented the hard lines, and the contrast of simple pattern and complex stitchery gave the flat, austere surface an added dimension.

At first the colors looked somber, but then—looking closely at a large field of brown—I discovered that it was really made of small patches of many different shades and textures of color. Greys and shiny dark and dull light brown, dancing side by side, made the flat surface come alive. Lush greens lay beside vivid reds. An electric blue appeared as if from nowhere on the border.

The relationship of the individual parts to the whole, the proportion, the way the inner and outer borders reacted with each other was a balancing act between tension and harmony…How could a quilt be calm and intense at the same time?”

Bender the artist sought, and found, a way into the community that could produce such work. She lived with different groups of Amish for periods of weeks over a period of years in Iowa and Ohio. She learned that the larger group called “Amish” has different sects which live differently, but generally it is a group which focuses on living as a community, each producing what it can so that the whole functions harmoniously.

She did work on a quilt or two, but mostly she was involved in understanding the lifestyle in which one person might produce art but whose work is as prized as someone with lesser skills. This joy in the process, rather than the product or the glory, seemed profound to Bender. She developed an attachment for the nine-patch pattern, and in one of the last chapters, pulls her experiences together in nine observations that serve to calm and direct her when life threatens to subsume her once again.

1. Patch #1 VALUING THE PROCESS/VALUING THE PRODUCT
2. Patch #2 LIVING IN TIME
3. Patch #3 CELEBRATING THE ORDINARY
4. Patch #4 HOME
5. Patch #5 COMMUNITY
6. Patch #6 LIFE AS ART
7. Patch #7 LIMITS AS FREEDOM
8. Patch #8 POWER OF CONTRAST
9. Patch #9 CHOICE

Bender worked to eliminate the clutter from the book, so it is calming to read and has many one-liners that make good daily fare for musing and developing one’s spiritual muscle. One of my favorites: “I learned there is nothing simple about the ninepatch.”

The line drawings decorating the book are just the right touch, and the color plates chosen for the removable dust jacket also leave one looking and thinking deeper. All in all, Bender has succeeded in creating something lasting that can help us get through the bad “patches” in our own lives, and seek the serenity of being at home in our own skins. “Miracles come after a lot of hard work.” A joy, and a classic.


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