Friday, June 15, 2018

Dawn of the New Everything by Jaron Lanier

Hardcover, 304 pgs, Pub Nov 28th 2017 by Henry Holt and Co., ISBN13: 9781627794091

The ideas in this book are so refreshing, thrilling, amusing, enlightening, and sad that they had me eagerly looking forward to another session with it whenever I got a chance. I found myself fearing what was to come as I read the final chapters. If I say I wish it had turned out differently, it wouldn’t make much difference. I am just so relieved & reassured that such people exist. We share a sensibility. I suppose such people forever be shunted aside by more talky types, louder but not more capable. Anyway, this kind of talent shares a bounty that accrues to all of us.

Everyone knows Lanier was exceptional for his ideas about Virtual Reality. He created, with others, an industry through the force of his imagination. What many may not recognize was that amid the multiple dimensions that made his work so special was his insistence on keeping the humanity—the imperfection, the uncertainty…the godliness, if you will—central in any technological project. It turns out that slightly less capable people could grasp the technology but not the humanity in his work, the humanity being the harder part by orders of magnitude.

It was amusing, hearing such a bright light discuss ‘the scene’ that surrounded his spectacular ideas and work in the 1980s and ‘90s, the people who contributed, the people who brought their wonder and their needs. He gives readers some concept of what VR is, how complicated it is, what it may accomplish, but he never loses sight of the beauty and amazing reality we can enjoy each and every day that is only enhanced by VR. Much will be accomplished by VR in years to come, he is sure, but whether those benefits accrue to all society or merely to a select few may be an open question.

While ethnic diversity is greater now in Silicon Valley than it was when Lanier went there in the 1980s, Lanier fears it has less cognitive diversity. And while the Valley has retained some of its lefty-progressive origins, many younger techies have swung libertarian. Lanier thinks the internet had some of those left-right choices early on its development, when he and John Perry Barlow had a parting of ways about how cyberspace should be organized. It is with some regret that we look back at those earlier arguments and admit that though Barlow “won,” Lanier may have been right.

Lanier was always on the side of a kind of limited freedom, i.e., the freedom to link to and acknowledge where one’s ideas originated and who we pass them to; the freedom not to be anonymous; or dispensing with the notion that ideas and work are “free” to anyone wishing to access it. he acknowledges that there were, even then, “a mythical dimension of masculine success…that [contains] a faint echo of military culture…” Lanier tells us of “a few young technical people, all male, who have done harm to themselves stressing about” the number of alien civilizations and the possibility of a virtual world containing within it other virtual worlds. He suggests the antidote to this kind of circular thinking is to engage in and feel the “luscious texture of actual, real reality.”

In one of his later chapters, Lanier shares Advice for VR Designers and Artists, a list containing the wisdom of years of experimenting and learning. His last point is to remind everyone not to necessarily agree with him or anyone else. “Think for yourself.” This lesson is one which requires many more steps preceding it, so that we know how to do this, and why it is so critical to trust one’s own judgment. There is room for abuse in a virtual system. “The more intense a communication technology is, the more intensely it can be used to lie.”

But what sticks with me about the virtual experience that Lanier describes is how integral the human is to it. It is the interaction with the virtual that is so exciting, not our watching of it. Our senses all come into play, not just and not necessarily ideally, our eyes. When asked if VR ought to be accomplished instead by direct brain stimulation, bypassing the senses, Lanier’s answer illuminates the nature of VR:
“Remember, the eyes aren’t USB cameras plugged into a Mr. Potato Head brain; they are portals on a spy submarine exploring an unknown universe. Exploration is perception.”
If that quote doesn’t compute by reading it in the middle of a review, pick up the book. By the time he comes to it, it may just be the light you needed to see further into the meaning of technology.

Lanier is not technical in this book. He knows he would lose most of us quickly. He talks instead about his own upbringing: you do not want to miss his personal history growing up in New Mexico and his infamous Dodge Dart. He talks also about going east (MIT, Columbia) and returning west (USC, Stanford), finding people to work with and inspiring others. He shares plenty of great stories and personal observations about some well-known figures in technology and music, and he divulges the devastating story of his first marriage and subsequent divorce. He talks about limerence, and how the horrible marriage might have been worth it simply because he understood something new about the world that otherwise he may not have known.

All I know is that this was a truly generous and spectacular sharing of the early days of VR. It was endlessly engaging, informative, and full of worldly wisdom from someone who has just about seen it all. I am so grateful. This was easily the most intellectually exciting and enjoyable read I've read this year, a perfect summer read.

Here is a link to a conversation with Jaron Lanier conducted by Ezra Klein for his podcast The Ezra Klein Show, available on iTunes or Stitcher.

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